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The best should get the job, the best should get the award.I don’t think anyone who’s not the best should get the award just because of something…We saw thousands of identical Australian actresses all trying to play a midwestern American student. I mean they’re nice, but they’re hiding what sets them apart [their accent]… To speak to the Oscars, I’m not as offended as people might expect or want me to be, maybe.I’m not ready to pitchfork, because I want to see the strongest roles…I came so close but they said “Do you wanna do Lloyd instead,” and I said, “Yeah.” They’ve been incredible and it’s great to be part of something so Hispanical.

Moderated by Starz Director of Acquisitions Michele Sanchez, the conversation went places few might expect, with an interesting array of opinions regarding diversity in the film industry. It’s hilarious that for how many talented Puerto Rican actors there must be in the world and in New York City, how incredibly hard it is to locate them. A., we meet with the head agent at one of the biggest agencies. ” “I’m like, he’s Jewish” He’s like “Does it matter? I had two callbacks for the role of the white girl.

In particular, she analyzes the way the film portrays sexual tourism in the Dominican Republic through an uneven power dynamic between female tourists in search of pleasure and adventure with local men, and the Dominican male sex workers whose only interest is to get a travel visa as a means to increase social mobility. Medina-Vilariño argues that the relationship between the tourists and sex workers reproduces a social system that stems from the country’s colonial past, imperial invasions, and neoliberal economy. She also holds minors in Latin American Studies and Latinx Studies.

As a result, she contends that the body of Dominican male sex workers (mainly Afro-Dominicans) is represented through what she refers to as the coloniality of desire. Medina-Vilariño is an Assistant Professor of Spanish, Race and Ethnic Studies, and Latin American Studies at St. Her areas of expertise are Hispanic Caribbean contemporary literatures, films, and cultural studies.

Of the many worthy features currently zipping their way across social media feeds, one in particular has turned a few heads and elicited some pretty strong responses just a few days into the festival.

White Girl is the debut feature by Columbia MFA grad Elizabeth Wood, who apparently spent her sophomore year in a Queens apartment dealing coke and having wild sex with a litany of men.

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